Created from the remnants of early recollections, the woven impressions pieces explore the act of reconstruction. By weaving together cut pieces of monotype paintings, these works engage with the idea that memories are never fully intact; some elements remain visible while others are obscured beneath the surface. The process of interlacing these fragments mirrors the way the mind pieces together recollections, sometimes filling in gaps and reforming souvenirs. What is hidden is just as present as what is seen, suggesting that memory is as much about what is lost as what is retained.

PROCESS & TECHNIQUES

Each piece in this series begins as an oil painting on canvas, which is used as a monotype plate—a printmaking technique where ink is typically applied directly to a smooth surface, traditionally plexiglass or metal, and then transferred to paper. This method was chosen for its ability to create thick textures and unpredictable, one-of-a-kind impressions. Unlike traditional printmaking, where multiple identical prints can be produced, monotypes result in unique works where no two impressions are ever the same. The natural unpredictability of monotype printing lends itself to the fragmented, shifting quality of memory, capturing fleeting impressions and gestural textures.

The process starts with layering oil paint in a way that encourages rich texture and depth. Paper is then pressed into the painted canvas and left for extended periods—sometimes days or weeks—before being carefully pulled apart. This delayed separation allows partially dried pigment to transfer in unexpected ways, leaving behind a combination of solidified and fragmented color. The physical force required to separate the layers introduces an additional element of unpredictability, embedding energy into the final impression.

As the process continues, new layers of paint are applied onto the same canvas, and papers are reintroduced—sometimes replacing previously used ones, sometimes incorporating fresh materials. This ensures that each piece interacts with and influences the others, with pigment being transferred, removed, and redistributed, reinforcing the concept of interconnected and evolving recollections.

Following the initial print, these pieces are created through woven paper compositions, where the separate printed elements are sliced into strips and restructured into a new whole, symbolizing the way different moments and recollections intertwine.  Through these processes, the series captures how memories are layered, revised, and reshaped by time.

Each work embraces the materiality of the process itself and captures the delicate balance between preservation and transformation, much like the way memories shift, dissolve, and reassemble.

MEDIUM & MATERIALS

• Paper: A variety of professional grade printmaking paper, chosen for its ability to hold ink layers and maintain longevity and 320 g/m² handmade Khadi paper for the final support

• Inks: Professional grade oil paints.

• Thread: Acid-free silk threads.

SIZE

20 × 20 cm

EDITION & CERTIFICATION

This collection currently consists of 5 one-of-a-kind works. Each piece is hand-signed on the back of the artwork and on the frame itself (when framed) and comes with a signed certificate of authenticity including an image and detailing the title, materials, and date of creation.

FRAMING & MATTING

Each work is sold unframed, allowing collectors the flexibility to frame the piece according to their preferences. However, custom framing is available upon request. The frames and mats offered are sourced in Paris but are made in Bordeaux, ensuring high-quality craftsmanship and a natural aesthetic that complements the artwork.

• Framing is provided by a French framer based in Bordeaux, specializing in high-quality, locally crafted frames.

• Frames are made in French Oak Wood and include glass protection.

• Custom matting is also available upon request. Each mat is extra thick and is professionally cut to order, adding an additional layer of refinement to the artwork.

• Please note that if a custom mat is ordered, an additional 7-10 business days should be considered for handling time before shipping.

For framing or matting requests, please fill out the form here.

ARCHIVAL QUALITY

The materials used in this collection are carefully selected for their archival properties, ensuring the longevity of the artwork. Archival quality means that the inks, papers, and adhesives are acid-free, lightfast, and resistant to degradation over time. This ensures that the artwork retains its vibrancy and structure for generations to come with proper care.

ARTWORK CARE

To preserve the quality of the artwork:

• Keep the piece out of direct sunlight to prevent fading.

• If framing, use UV-protective glass to further safeguard pigments against environmental damage.

• Avoid excessive humidity to protect the paper from warping.

• Handle the artwork with clean, dry hands to prevent transferring oils to the paper surface.

SHIPPING

Each artwork is carefully wrapped and packaged in the studio to ensure safe transit. Shipping includes:

• Tracked shipping within two weeks of purchase.

• International shipping available; additional delivery times and customs fees may apply.

For rushed orders, please contact in advance to arrange expedited shipping options.

All artwork is the sole property of Annelies Danielle Schubert and is held under copyright even after purchase. For more information, please refer to my terms of use & policies page. All images of artwork, sold or otherwise, are retained by Annelies Danielle Schubert.
The images, artwork, and contents of this website may not be copied, collected, or used for personal or professional gain without the express written permission from Annelies Danielle Schubert. All images on this website are taken by Faten Triki or Annelies Danielle Schubert.

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