early (re)collections
early (re)collections
€5,000.00
From the layers of (me)mory #001 Collection as part of the layers of (me)mory Series
2020
Oil paint monotypes on papermounted on 20mm Oak wood
60 interchangeable pieces of 11.90 × 14.30 cm
Composed of 60 interchangeable monotype paintings, early (re)collections captures the fluid, ever-shifting nature of memory. Rather than depicting fixed moments, these pieces translate pieces of memories into layered colors, textures, and movement—echoing the way childhood memories surface in flashes of sensation rather than clear narratives. Each piece exists independently yet is intrinsically linked to the others, much like memories that continuously evolve and influence one another. The ability to rearrange these fragments further reflects the instability of memory, as recollections are not static but rather in constant flux, constantly shaped by time and experience.
Step into the story, techniques, and inspirations behind the layers of (me)mory #001 collection here.
PROCESS & TECHNIQUES
early (re)collections is a multi-layered exploration of memory, fragmentation, and reconstruction, created through a monotype-based approach that prioritizes texture, layering, and the interaction of surfaces. The piece is composed of oil paint monotypes transferred onto paper, mounted onto Oak wood panels, and structured as a grid of 60 interchangeable fragments.
The process begins with painting directly onto a canvas surface, where oil paint is applied in layers to create a richly textured, gestural base. Paper is then carefully pressed into the painted surface and left for an extended period—sometimes days or weeks—to allow the pigment to transfer to the paper in varied ways. This technique results in partial adhesion and separation, meaning that when the paper is pulled away, it carries not only the pigment but also remnants of texture, cracks, and areas of resistance, echoing the way memories can be both preserved and fragmented over time.
Through repeated interactions between the canvas and multiple sheets of paper, each impression borrows and leaves behind traces of previous layers. This continuous exchange of pigment and texture reinforces the idea of memory as a dynamic, evolving process rather than a fixed moment.
Once the monotype prints are complete, the monotype prints are further fragmented into individual pieces and mounted on wood which are arranged into a grid format that allows for reconfiguration and movement. The grid is both a structure and a disruption—a method of imposing order while simultaneously breaking apart the original composition. This format mirrors how the mind pieces together fragments of memory, sometimes fluidly, sometimes in disjointed ways.
By embracing the organic unpredictability of monotype printing, layered separations, and the act of physically cutting and rearranging the composition, early (re)collections captures the essence of how memories interact, overlap, and shift, leaving traces of themselves behind.
MEDIUM & MATERIALS
Paper: A variety of professional grade printmaking paper, chosen for its ability to hold ink layers and maintain longevity.
Inks: Professional grade oil paints.
Adhesives: Archival adhesives used to affix layered elements permanently.
Mounting support: 20mm stained Oak wood
SIZE
This piece consists of 60 interchangeable pieces, each measuring 11.90 × 14.30 cm. Due to its modular nature, early recollections allows for multiple installation configurations, adapting to different spatial needs.
Below are some possible arrangements and their corresponding dimensions:
Horizontal / Landscape: 137.00 × 95.80 cm (grid of 10 × 6)
Horizontal / Landscape: 164.80 × 82.50 cm (grid of 12 × 5)
Vertical / Portrait: 79.40 × 161.00 cm (grid of 6 × 10)
Custom configurations are also possible, allowing flexibility in how the piece is displayed. For inquiries regarding alternative layouts or installation recommendations, please reach out prior to purchase.
INSTALLATION
Due to its grid-base and interchangeable format early (re)collections requires specific installation procedures to ensure precise alignment for maintaining its intended composition. Detailed installation instructions will be provided with the piece, including guidance on layout configuration and best practices for handling. If needed, direct support for installation can be arranged upon request.
For buyers located in the Paris region, installation by the artist is included in the purchase price. If installation assistance is required outside of Paris, arrangements can be discussed separately.
For any questions regarding installation requirements or to coordinate installation services, please reach out before finalizing the purchase.
EDITION & CERTIFICATION
This collection currently consists of 5 one-of-a-kind works. Each piece is hand-signed on the back of the artwork and on the frame itself (when framed) and comes with a signed certificate of authenticity including an image and detailing the title, materials, and date of creation.
ARCHIVAL QUALITY
The materials used in this collection are carefully selected for their archival properties, ensuring the longevity of the artwork. Archival quality means that the inks, papers, and adhesives are acid-free, lightfast, and resistant to degradation over time. This ensures that the artwork retains its vibrancy and structure for generations to come with proper care.
ARTWORK CARE
To preserve the quality of the artwork:
Keep the piece out of direct sunlight to prevent fading.
Avoid excessive humidity to protect the paper from warping.
Handle the artwork with clean, dry hands to prevent transferring oils to the paper surface.