Color holds memories. It carries the weight of sensation, fleeting impressions, and the quiet resonance of a moment that lingers just beyond reach. color stories is an exploration of these ephemeral instances—each composition a fragmented recollection, where colors interact like layers of time overlapping. The hues, once functional remnants of another process, are reconfigured into grids that echo the structure of recollection, yet remain open to interpretation.

Each piece is named after a moment—a sliver of time, a sensation, a feeling familiar yet impossible to hold. The colors within these works, formed through monotype layering and chine-collée, shape their own quiet stories, evoking the intangible poetry of light and space.

Step into the story, techniques, and inspirations behind the color stories collection here.

PROCESS & TECHNIQUES

The afterimages series explores the residual impact of color, perception, and memory through the repurposing of printed materials from byproducts of printmaking processes and layering techniques. The works in this series begin with monotype printing, where ink is applied to a surface and transferred onto paper, creating unique, non-reproducible prints. Unlike traditional monotypes, these prints are not created as final works but instead serve as color layering tests—functional remnants of other projects that take on a new life in this series.

In this first collection, the collected test prints are cut into small squares and recomposed into structured grid formations. Through chine-collée, a printmaking technique where paper is bonded to a heavier support paper using an adhesive activated during the printing process, these fragments are permanently affixed onto new surfaces. This method allows for delicate, lightweight elements to integrate seamlessly into the composition while maintaining the texture of the original monotype layers. The compositions highlight the interactions between colors and the emergence of secondary hues and tonal variations.

MEDIUM & MATERIALS

• Paper: A variety of professional grade printmaking paper, chosen for its ability to hold ink layers and maintain longevity.

• Inks: Water-based monotype inks, selected for their transparency, layering capabilities, and subtle textural variations.

• Collage Elements: Cut monotype fragments repurposed from color test prints.

• Adhesives: Archival adhesives used to affix layered elements permanently.

SIZE

11 × 15 cm

EDITION & CERTIFICATION

This collection currently consists of 22 one-of-a-kind works. Each piece is hand-signed on the back of the artwork and on the frame itself (when framed) and comes with a signed certificate of authenticity including an image and detailing the title, materials, and date of creation.

FRAMING & MATTING

Each work is sold unframed, allowing collectors the flexibility to frame the piece according to their preferences. However, custom framing is available upon request. The frames and mats offered are sourced in Paris but are made in Bordeaux, ensuring high-quality craftsmanship and a natural aesthetic that complements the artwork.

• Framing is provided by a French framer based in Bordeaux, specializing in high-quality, locally crafted frames.

• Frames are made in French Oak Wood and include glass protection.

• Custom matting is also available upon request. Each mat is extra thick and is professionally cut to order, adding an additional layer of refinement to the artwork.

• Please note that if a custom mat is ordered, an additional 7-10 business days should be considered for handling time before shipping.

For framing or matting requests, please fill out the form here.

ARCHIVAL QUALITY

The materials used in this collection are carefully selected for their archival properties, ensuring the longevity of the artwork. Archival quality means that the inks, papers, and adhesives are acid-free, lightfast, and resistant to degradation over time. This ensures that the artwork retains its vibrancy and structure for generations to come with proper care.

ARTWORK CARE

To preserve the quality of the artwork:

• Keep the piece out of direct sunlight to prevent fading.

• If framing, use UV-protective glass to further safeguard pigments against environmental damage.

• Avoid excessive humidity to protect the paper from warping.

• Handle the artwork with clean, dry hands to prevent transferring oils to the paper surface.

SHIPPING

Each artwork is carefully wrapped and packaged in the studio to ensure safe transit. Shipping includes:

• Tracked shipping within two weeks of purchase.

• International shipping available; additional delivery times and customs fees may apply.

For rushed orders, please contact in advance to arrange expedited shipping options.