Journées de l'Estampe Contemporaine — Summary in Images
This past week I was part of the exhibiting artists of Saint Sulpice’s Journées de l’Estampe Contemporaine, a yearly printmaking focused salon showcasing over 300 artists in the heart of Paris.
I tried my best to feature my current explorations, centering focus on newer and older pieces from the the shapes of where we were series while at the same time showing the diversity of work I create and techniques I play with and how these all coexist and beautifully dialogue between one another, all lending elements of themselves and borrowing elements of others through a mutual and forever evolving exchange.
Infinitely proud of the work I am creating, proud of the time and energy invested learning, researching, trying, failing, pivoting, re-learning, experimenting, and making.
Everything is for sale, so if you see something you like, please start a conversation, I am happy to talk and provide all the info and details.
Join me at this year’s Journées de l'Estampe Contemporaine
I'm thrilled to announce that I will be participating in Saint Sulpice’s Journées de l'Estampe Contemporaine 2025, one of Paris' premier events celebrating contemporary printmaking. The fair offers an exciting opportunity to explore an incredibly diverse range of work created through traditional and contmporary printmaking processes like Lithography, Silkscreen, Engraving, and Relief Printing. Discover the work of over 300 artists through exhibitions, printing demonstrations, talks, workshops, and more.
Over the past few months, as I’ve settled into this new space, I’ve been slowly rediscovering past works and reconnecting with the pieces I’ve created in recent years. Through this sale, I hope to (re)introduce you to these works, offering a deeper look into my process and the ideas that shape what I create. These pieces are meant to be collected, to find homes with those who resonate with them, and to serve as markers of my evolving practice.
This sale is not just about making space in my studio but also about creating the momentum to move forward—both physically and financially—so I can continue developing my current projects. Each work carries its own story, and I can’t wait to slowly share those with you.
Starting tomorrow, I will begin a series of micro launches, beginning with the layers of (me)mory #001 collection created in 2020. If you’re on my email list—hey email pals!—you’ll be the first to hear about each release.
Discover all the layers of (me)mory no. 001 available pieces →
The studio has been slowly changing, and the walls are filling up with work. This space is perfect, and I’m obsessed with it right now. After months of renovations, setting up, and getting into a rhythm, I finally feel settled. This year, I really want to take my work and practice more seriously—without taking myself too seriously. I’m excited for this energy and for everything that’s to come.
Since officially starting to work in the studio in November, I’ve been focusing on expanding my ongoing series Silent Echoes and Color Stories, and most recently, I’ve started a new collection called Shifting Fields. These pieces all explore different aspects of memory, presence, and the quiet beauty found in repetition and remnants of process. Working here has given me the space—both physically and mentally—to push these projects forward in ways I couldn’t before.
Beyond just making work, being in the studio has allowed me to restart my website, focus on selling work again, and apply to more opportunities for artistic interventions in and around Paris. I’ve been visiting more exhibitions, diving deeper into research, and setting a clearer direction for my practice. Last year felt full of uncertainty, but now, for the first time in a while, I feel like I’m on stable ground again, moving forward with intention.
To mark this shift, I’ve decided to reintroduce past works alongside my current projects through a studio sale. It’s a way to share the journey of my work—the evolution of ideas, processes, and collections—while also making space for what’s to come. If you’ve ever been curious about my work, now is the perfect time to dive in.
This space feels like a true beginning, a foundation for everything I want to build in 2025. I’m looking forward to the visitors, the conversations, the progress, the failures, and everything in between. If you want to stop by, just send me a message—I’d love to share it with you!
Welcome to, l’atelier (!!!)
Some super exciting news, we have finally finished the main work in the set-up of our new studio space at Gens Jaurès—the latest Paris tiers-lieux location set in place by Plateau Urbain— located in the heart of the 19th arrondissement. This new space feels like a fresh start in my practice and has had a massive shift in my focus as I see now a path forward and have found clarity in my priorities.
This space went through some works and renovations, which we did all ourselves and are very proud of. A studio is an ever shifting and living space with constant updating, bettering, building, and optimizing as your practice changes and your needs evolve, but for now it’s exactly how I need to be and I’m just thankful to be able to dedicate myself to my work again.
Keep reading & trace the process →
I have some exciting news to share—I finally have a new studio space! After years of working in different shared spaces and temporary setups, I’m so happy to say that I now have a dedicated studio in Jaurès, in the 19th arrondissement of Paris. It’s something I’ve been wanting for a long time, and it already feels like a fresh start in my practice.
This new space is part of Gens Jaurès, a creative hub run by the French association Plateau Urbain, which provides affordable studio spaces for artists. I’m sharing this space with my friend and fellow printmaker Juli Estrada—Juli and I have been working together since 2018, teaching printmaking workshops and co-founding Creative Gatherings Paris in 2019, a community initiative that brought together artists and creatives through workshops in cafés, gardens, and galleries across the city. It feels really special to now have a studio together, a place where we can both create and continue growing our practices.
We received the keys in August, and since then, we’ve been working non-stop to make this space our own. The biggest project? Building a wall from scratch to divide our area from the neighboring photography studios. We designed and will be building it ourselves, along with painting the walls, sourcing tables, building storage, and creating workbenches—it’s going to be intense but so rewarding. I cannot wait to be finished with the set-up and being able to being working in the space properly.
I can’t wait to see how this new environment will shape my work. The energy of a new space, the possibility of new ideas, and the excitement of finally having a home for my projects—it all feels like the perfect reset. I’m looking forward to filling the walls, making a mess, and seeing what comes next. If you're in Paris and want to visit, send me a message—I’d love to show you around!
Image from one of the available rooms from our first visit to Plateau Urbain’s Jaures building with my studio partner, Juli Estrada
woven impressions no. 002 from the layers of (me)mory no. 001 Collection
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